Material Sandstone, lighting - dimensions: 90x90x90 cm.

The video based on the transformation of Rene Magritte' surrealistic painting "The Large Family" to images of the contemporary urban environment.

WEB HOST - On site installations

Period : 9-12 August 2007

Site : Venetians' settlement Raftis, Crete, Greece

Event : Artistic Innervations in Raftis

Organizing Committee : Municipality of Rouvas

The project used the spider web as a symbol of the enduring history of the site. The installation - inside a ruin- used 50 m rope (5mm in diameter) waved a canonical web which stood in opposition to the unruly topography of the site.

The Light Installations in Koules Fortress were designed as interactive installations, which display the primal elements of creation in which visitors could wade in light and walk through a wall of wind. The Air Room is constructed by a vertical sheet of light.

The project consisted of 93 pieces of colored earth on canvas, engraved with the word "earth" in the world language. The pieces constructed a wall 3,20x2,10 m within the space of the Venetian fortress.

The project represents the inside/outside duality of space, creating a path, which transforms the body inside and at the same moment outside.
The path is constructed by 2,000 m rope, 1(one) cm in diameter, setting vertical from roof to floor, creating a transparent surface.
The roped surface symbolizes the walls, which people set in their effort to divine the space.

The installation was constructed with packaging boxes and a tv monitor, projected a video collage from cinema industrys heroes.

The installation was constructed at the University of East London as the end result of a research into the Masters degree in Art in Architecture. The 14 sq m. installation was based on the philosophy of construction of underground mazes and the prehistoric mystical ceremonies of the ancient Greeks and Celts.
The interior walls covered from concrete, cement, titanium oxide and three kinds of plaster. The passages were constructed on a wooden frame covered with calico.

A screen, in dimension of 1,80 m wide 2,90 high, held the role of a semi-transparent surface, where a figure in slow motion movements was viewed behind it, giving the full impression of its isolation in a cell. While the video was silent, the underground room of the Forthness was filled up with a breathing sound.

Opening a heavy door of Coules Fortress, the viewer was in front of a lighting urban image. The view was accompanied with sounds of traffic.

The installation was composed by a live painting on canvas, with the use of running water, lighting and sound.

The installation used 16 m in high plastic membrane, lighting and sound in effort to connect the fortress with its surrounding sea environment.